电影改编自斯特林堡的独幕悲剧:进击性格怪癖的朱丽小姐婚约破裂,与爱尔兰男仆相爱并计划私奔,无奈被厨娘识破,面临身败名裂的危险……
电影改编自斯特林堡的独幕悲剧:进击性格怪癖的朱丽小姐婚约破裂,与爱尔兰男仆相爱并计划私奔,无奈被厨娘识破,面临身败名裂的危险……
回复 :传奇影业新片改编自一篇Vice刊登的故事。故事开头是吉米鸡毛在节目上问观众:谁想看真的鬼?然后他介绍了Ernest——一个幽灵,被一个叫弗兰克人在自己家中发现,弗兰克拍了很多关于这个幽灵的视频发到社交网络,并给它起名Ernest,因为觉得它长得有点像演员Ernest Borgnine。这个无害的幽灵因此红遍全球。
回复 :《逆向谋杀》以刑警队收到匿名杀人现场直播邮件开场,从刑警队不同人物的侦破视角,缓缓推进解开谜团,让多年前的一场谋杀以复仇的形式重新呈现在所有人面前。充斥影片的除了剧情的神秘紧凑,罪犯与警察之间的摩擦纠葛,真相的扑朔迷离外,还在各处微小的细节中展露了社会各个角色与各种事物之间的巧妙联系,有对亲情、爱情的渴望,也有对兄弟的一腔热血肝胆相照,更有对新时代人民警察形象的真实诠释,烧脑之余更能发人深思。
回复 :与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).