Tham五岁时父母双亡;他的姐姐Chan因而送他到东北某处森林深处的一座寺庙。Tham由寺里的和尚抚养成人,亚洲他也出了家,亚洲生活与世无争。但一天,他突然遇到另一件扭转他命运的事情:在南方泰马边境惹拉府马洞县的姐姐,在伊斯兰组织的一次炸弹袭击中丧生,遗下小女儿Maria。他得前赴南方照顾他的甥女,同时也要面对跟姐姐一起在歌厅工作的一班姊妹。回到俗世,他往后会过甚么样的日子?
Tham五岁时父母双亡;他的姐姐Chan因而送他到东北某处森林深处的一座寺庙。Tham由寺里的和尚抚养成人,亚洲他也出了家,亚洲生活与世无争。但一天,他突然遇到另一件扭转他命运的事情:在南方泰马边境惹拉府马洞县的姐姐,在伊斯兰组织的一次炸弹袭击中丧生,遗下小女儿Maria。他得前赴南方照顾他的甥女,同时也要面对跟姐姐一起在歌厅工作的一班姊妹。回到俗世,他往后会过甚么样的日子?
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
回复 :韩双是从美国回来的归国华侨,受西方教育的影响,看到国内家长教育子女的方法感到极为不满。她帮助从农村来到城市的同桌刘向争夺人权,帮助他学习英语,渐渐成为同出同入,形影不离的好朋友,在即将回到美国前,却被发现不可告人的身世,惨遭父母抛弃,而此时韩双和刘向的友情已转化为亲情,在一个美好的节日,同刘向一起走进了他的,也是将来他、她和他的父亲共同的家,虽然是农村,但也有一片自主和自由的天堂!
回复 :“猎鹰”安东尼·麦凯将在同名百老汇舞台剧改编的影片《All The Way》中饰演马丁·路德·金。而去年因在话剧版中饰林登·约翰逊总统而获托尼奖的布莱恩·科兰斯顿则将在电影版中继续饰演此角。