剧情简介
一个自命风流的汽车经纪人士啤呔，破旧遇上一个美丽的私家女侦探珠珠，破旧他对她大献殷勤，却被其捉弄，两人反目成仇，珠珠为侦查一宗偷情案，而掌握到一犯罪集团的重要犯罪证据，犯罪集团便掳走珠珠，幸得士啤呔及时营救......
破旧山庄：可疑的药贩子
一个自命风流的汽车经纪人士啤呔，破旧遇上一个美丽的私家女侦探珠珠，破旧他对她大献殷勤，却被其捉弄，两人反目成仇，珠珠为侦查一宗偷情案，而掌握到一犯罪集团的重要犯罪证据，犯罪集团便掳走珠珠，幸得士啤呔及时营救......
莎黛
回复 :主要讲述了缉毒大队长莫高（王铮饰）与贩毒集团头目陶三（李子雄饰）斗智斗勇，最终将贩毒集团一网打尽的故事。莫高在经历卧底同事惨烈的死亡后，不但职业生涯遭遇前所未有的危机，还与女友小茹（甘婷婷 饰）产生了巨大的隔阂。但是莫高始终坚信“毒品一日不绝，禁毒一日不止”，崇高的信仰给予他焕生的力量。在新卧底兄弟的帮助下，莫高步步为营，小心应对，将犯罪集团绳之以法。
大桥利恵
回复 :达德（约翰·李·米勒 Jonny Lee Miller 饰）是一名出色的天才黑客，曾经，股市因为11岁的他的小小恶作剧而差点崩盘，达德因此被剥夺了使用网络的权利，如今，已经成年的达德终于重新获得了这一权利，跃跃欲试的他摩拳擦掌，准备在网络上重新大展拳脚。凯特（安吉丽娜·朱莉 Angelina Jolie 饰）和乔伊（杰西·布拉德福特 Jesse Bradford 饰）都是如同达德一样的黑客，他们因为趣味相投而走到了一起成为了好友。普拉格（费舍·史蒂芬斯 Fisher Stevens 饰）曾经是一名技术高超的超级黑客，如今，被招安的他成为了一家大公司的系统安全专家。背地里，普拉格和黑恶势力勾结，谋取公司账户里的巨额财产，此外，他还发明了一种能令全球网络陷入瘫痪的可怕病毒。一次偶然中，达德一行人发现了普拉格的罪恶和阴谋，他们决定给利用自己的力量，阻止普拉格。
陈建年
回复 :Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
