内向的波兰裔青年塔尔科夫斯基（罗曼·波兰斯基 Roman Polanski 饰）独自来到巴黎，播放希望在此租住一间公寓。这间房之前的房客西蒙·肖（Romain Bouteille 饰）不知出于何种原因跳楼自杀。在西蒙于医院中气绝身亡后，播放塔尔科夫斯基顺利地成为了新的房客。乔迁之喜并未给他带来太多欢乐，周遭的压抑气氛无时无刻不在侵扰他的神经。这桩古老的公寓中住着许多古板沉闷的人，他们抱怨塔尔科夫斯基制造过多的噪音、联名排挤其他房客……这个可怜的青年虽然小心应对，却渐渐被他们逼向绝境。塔尔科夫斯基开始意识到西蒙·肖自杀的原因，他同时发现，自己也正被这群怪房客引向毁灭的终点……
乩童秩序
回复 :琦哥与和仔是收账公司的职员，一次外派收账，欠款人黎黎无力偿还，便转让偶像经济公司的股份以偿还债务。而公司旗下的“校花时代”女团组合便成了几人的摇钱树。琦哥二人负责演出业务开拓，黎黎则进行艺人训练，训练井井有条，而琦哥二人的业务开拓屡屡碰壁甚至造成黎黎与女团的不满。就在众人一筹莫展之时，黎黎隐藏的身份却因意外被人爆出，在了解黎黎的苦衷之后，琦哥二人与黎黎和女团冰释前嫌并开始了演艺之路。
施孝荣
回复 :根据赵和琪的小说《泰山恩仇录》改编。济生堂药店的铁手张和弟子根生在义子白朗的帮助下救出了被洋人抓住的商人东野志雄，铁喜出望外地发现东野是自己师傅的孙子。但万万没有想到的是东野已经成为杀人不眨眼的日军恶魔，而义子白朗也成了汉奸。愤怒的铁手张亲自杀死了白朗，并潜入日军司令部杀死了日军司令川村，铁也身中数弹，带着复仇的快乐闭上了眼睛。
黄立行
回复 :Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody.Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother.The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code.Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
