1954年指挥大师富特文格勒在萨尔茨堡音乐节上，烟花指挥维也纳爱乐乐团，烟花上演莫扎特的经典歌剧《唐•乔万尼》，这个珍贵的录像堪称富特文格勒留存至今最完美的影像资料，来自当年奥地利导演保罗•齐纳尔的努力，不计工本，用彩色电影胶片拍摄整个歌剧的演出，由著名的意大利男低音西耶皮演唱剧名主角，瑞士女高音德拉.卡萨演唱艾尔薇拉，堪称一时之选。卡司如下：Otto Edelmann...Leporello - BassElisabeth Grümmer...Donna Anna - SopranoCesare Siepi...Don Giovanni - BaritonDezsõ Ernster...Commendatore - BassAnton Dermota...Don Ottavio - TenorLisa della Casa...Donna Elvira - Soprano
詹姆斯泰勒
回复 :俄罗斯洋妞莎莎，是一个喜欢中国武术、性格倔强、热烈奔放的姑娘。在与中国男人威廉即将步入婚姻殿堂之际，威廉不辞而别。莎莎恼火之下，毅然来到中国，寻找威廉，她要知晓爱人为什么不辞而别？莎莎到了威廉家乡，在寻找的过程中，遇到威廉的许多朋友，他们竭力给莎莎留下美好的印象。威廉的朋友还安排一对模范小夫妻文涛和高霞陪伴莎莎，文涛善解人意，高霞温柔善良，两个人劝阻莎莎放下这段情感。一心想找到真相的莎莎不依不饶，她凭借对中国的一知半解，凭借敢打敢拼，闹出好多笑话。而陪伴她的文涛和高霞之间，情感也出现问题，文涛已移情别恋，高霞另有隐情，他俩的婚姻面临决裂。绝不放弃的莎莎终于了解真相：原来她做了中国男人的小三，威廉回到中国，因为他必须承担做儿子、丈夫和父亲的责任。而文涛和高霞的爱情隐秘，在她的帮助下，也终于破解，这是一个艰难困境中的“爱情童话”。莎莎也经历了新的邂逅，她遇到了率直的中国小伙小顽童，某种情愫让她难以割舍……
黄羽承
回复 :伊莉斯不喜欢过圣诞节，她从小在圣诞树农场长大，这意味着每次节日她都是在忙工作。今年的这个时候，她失去了工作，她很不情愿的同意帮助家人在市内售卖圣诞树，而且表明这是最后一次。英俊富有魅力的达伦多次来购买圣诞树，他暗恋着伊莉斯，这让伊莉斯甚至有点感觉到圣诞节的魅力。然而，一家市内大财团不喜欢他们在那里售卖圣诞树，他们试图说服政府部门来驱逐掉他们。伊莉斯必须想方设法保住售卖摊位，在节日继续供应圣诞树。
廖伟力
回复 :When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony.With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.
