意大利南部吉普赛人聚居的社区,国精典型的贫穷混乱。十四岁少年渴望早日长大,国精像哥哥那样自力更生。他抽烟喝酒,从哥哥身上学会偷窃技能,不识字不打紧,认得钞票才实际。哥哥被捕,他变本加厉,偷车兼入屋爆窃,其间认识了非裔青年,骤觉人间有情。然而最后发现,成人礼的代价,是要懂得背叛与 无情。美籍意大利裔导演乔纳斯·卡皮纳诺三年前拍过同名短片,这次得马丁·斯科塞斯跨刀监制,起用非职业演员,捕捉贫民区的鲜活实感。代表意大利角逐奥斯卡最佳外语片。
意大利南部吉普赛人聚居的社区,国精典型的贫穷混乱。十四岁少年渴望早日长大,国精像哥哥那样自力更生。他抽烟喝酒,从哥哥身上学会偷窃技能,不识字不打紧,认得钞票才实际。哥哥被捕,他变本加厉,偷车兼入屋爆窃,其间认识了非裔青年,骤觉人间有情。然而最后发现,成人礼的代价,是要懂得背叛与 无情。美籍意大利裔导演乔纳斯·卡皮纳诺三年前拍过同名短片,这次得马丁·斯科塞斯跨刀监制,起用非职业演员,捕捉贫民区的鲜活实感。代表意大利角逐奥斯卡最佳外语片。
回复 :Memorial Day, 1993. When 13-year-old Kyle Vogel discovers the World War II footlocker belonging to his grandfather, Bud, everyone tells Kyle to put it back. Luckily, he ignores them. Although Bud has never talked about the war, he finds himself striking a deal with his grandson Kyle can pick any three souvenirs, and Bud will tell him the stories behind each one. Memorial Day not only takes us on a journey into Bud's complicated wartime past, but also into Kyle's wartime future. As the two men share parallel experiences in combat, they come to realize how that magical day on the porch shaped both of their lives.
回复 :理发师陆平(陈坤 饰)凭着自己的好手艺在大上海过着平凡的生活。日军侵占上海之后,一次意外的事故使他不得不远走他乡,自此开始了长达半生的颠沛流离。逃往江南古镇之后,陆平遇到了一位美丽的江南女子宋嘉仪(曾黎 饰),俩人一见钟情,无奈宋嘉仪婚约在先,其父宋丰年也想借女儿在那个特殊的年代里有个依靠,将宋嘉仪嫁给了国民党军官叶江天,嫁为人妇的宋嘉仪从未停止对陆平的爱恋,而陆平在颠沛流离的大半生除了自己的手艺始终没有放下的还有这份感情。一生情缘,半世坎坷,乱世之中这对有情人如歌如泣般演绎着他们的人生与爱恋……本片根据凡一平同名小说改编,是导演陈逸飞生前最后一部作品。
回复 :In 1965, Bob Crane, who had achieved some earlier success as a television supporting actor, was working as a successful morning radio DJ at KNX Los Angeles. Despite enjoying his work, photography (especially of the female form) and drumming, Crane wanted to be a movie star. So it was with some reluctance that he accepted the title starring role in a new television sitcom called Hogan's Heroes (1965), a WWII POW comedy. To his surprise, the show became a hit and catapulted him to television stardom. The fame resulting from the show led to excesses and a meeting with home video salesman and technician John Carpenter, with who he would form a friendship based on their mutual interests, namely excessive sex (for Crane, purely heterosexual sex) and capturing nude females on celluloid. His fame allowed Crane to have as much sex as he wanted, which was incongruent to his somewhat wholesome television friendly image, and the way he portrayed himself to almost everyone except Carpenter and his...