阿川（张孝全 饰）是一位性格十分温和的男子，午夜某一日，午夜正在工作的他忽然昏倒，然而经医生检查后发现身体并无异状，医生诊断阿川有可能患有精神方面的疾病。阿川回到了老家疗养，在那里生活着他的父亲王伯伯（王羽 饰）和姐姐小芸（黄湘琪 饰）。让王伯伯没有想到的是，阿川竟然杀死了小芸。王伯伯将阿川关进了小屋之中，独自处理了女儿的尸体。小芸的丈夫许久不见妻子，找上门来，就在他快要找到阿川的藏身之处时，王伯伯杀死了他。小芸和丈夫的双双失踪引起了警方的注意，两名警察锁住了王伯伯，接近了阿川所在的小屋，却反被阿川杀死。为了替儿子掩盖罪行，王伯伯顶替了全部的罪过。
李欧纳孔
回复 :What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.
陈依然
回复 :1953年，抗美援朝战争进入最终阶段，志愿军在金城发动最后一场大型战役。为在指定时间到达，向 金城前线投放更多战力，志愿军战士们在物资匮乏、武装悬殊的情况下，不断抵御敌机狂轰滥炸，以血肉 之躯一次次修补战火中的木桥。一段鲜为人知的历史，在暗流涌动的金刚川上徐徐展开......
樊少华
回复 :羅世傑為完成畢業論文, 找尋資料, 借宿劉忠河同學家, 某日士傑與劉婉憶入山考古, 忽忽天色已暗, 留宿山野, 夜晚婉憶尿急不慎跌落山洞, 驚現一具骷髏頭及令牌, 次日經考古教授確認係明朝古物, 並帶回保存. 一天婉憶打掃時不慎被骷髏頭刺傷, 血流滴進骷髏內而產生靈氣, 夜晚士傑回房潛研時却發現骷髏內現出鬼魂小娟是陽間的小娟隨即附身剛進房的婉憶身軀和士傑談天. 賈一道發現士傑被鬼魂纏身, 忠河與劉父作法護士傑, 這時陰陽魔要脅小娟聽命左右, 小娟不從被拘禁回骷髏頭內, 只好殺士傑以求解圍, 惜為符咒擊傷通時被魔女推救說明原委, 路上和呂道長二人鬥法, 魔女不敵魔王前來搭救, 陰魔王雖使出魔法迫戰, 而天已亮, 陰陽魔等人消失無踪. 呂道士得知陰陽魔法力無邊, 決定設壇誘捕, 以濟公活佛玄門迎戰敗下陣來, 只得犧牲小娟魂體結令令牌及骷髏碩一舉大敗陰陽魔, 眾人趕來祭拜小娟墳前, 邪總不勝正.
