蒲公英合唱团
发表于7分钟前
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:明朝晚年,朝政腐败,复社成员冒辟疆(吴冠易饰)等人议论时政,正义敢言,成为一时青年才俊。董小宛(高晓蝶饰)虽然风尘女子,但是胸怀天下,对于冒辟疆等有志之士更是仰慕不已。一日,冒辟疆为逃避官府追捕,逃入妓院,偶然与董小宛见面,虽然匆匆离别别,但是给小宛留下深刻印象。不久两人再次见面,两情相悦,私定终身。冒辟疆承诺自京城回来后便迎娶董小宛。明朝皇室子弟朱统锐(徐锦江饰),仗着自己的家世背景、无恶不作,横行霸道,意欲强行霸占董小宛,被小宛言辞拒绝,从此怀恨在心。而富家子弟窦霍(林伟饰)不学无术,荒淫无耻,也意欲强行向董小宛求欢,也是遭到拒绝。窦霍竟然设计迷奸了董小宛,令董小宛痛不欲生。而此时回到南京的冒辟疆也因为被指责危害朝政而被捕入狱,落入朱锐统手中,将被处死。为了挽救冒辟疆,董小宛决心入狱,牺牲自己,救出冒辟疆…
胜屿
发表于6分钟前
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:Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.