当Paul Pena终于见到Kongar-ol Ondar时,欧美距离他在收音机里听到Kongar-ol Ondar歌声那一刻已经过去了11年。他们来自两个截然不同的文化背景——非裔美国人文化和中亚游牧民族文化,欧美这样的两个人,跨越了漫长的文化距离和时空距离,留下Ginghis Blues这段传奇故事。Paul Pena已经在2005年10月2日因胰腺癌去世。Kongar-ol Ondar目前大多数时间在美国生活和演出。
当Paul Pena终于见到Kongar-ol Ondar时,欧美距离他在收音机里听到Kongar-ol Ondar歌声那一刻已经过去了11年。他们来自两个截然不同的文化背景——非裔美国人文化和中亚游牧民族文化,欧美这样的两个人,跨越了漫长的文化距离和时空距离,留下Ginghis Blues这段传奇故事。Paul Pena已经在2005年10月2日因胰腺癌去世。Kongar-ol Ondar目前大多数时间在美国生活和演出。
回复 :Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
回复 :《先遣连》是以当年新疆军区独立骑兵师一团一连进军西藏阿里的先遣连为原形的电影。1950年,为贯彻落实党中央、毛主席“进军西藏”、“解放西藏”的战略决策,新疆军区决定派一个连的兵力,先期进入西藏阿里地区,执行“侦查情况、发动群众”的先遣任务。1950年8月1日,由汉、回、藏、蒙古、锡伯、维吾尔、哈萨克等7个民族136人的先遣连,在总指挥兼党代表李狄三,连长曹海林等人的带领下,从新疆于阗出发,开始向阿里进军,胜利完成把鲜艳的五星红旗插上阿里高原,和平解放阿里30多万平方公里土地伟大壮举,用生命和意志谱写了一篇光耀日月的壮丽英雄史诗。
回复 :H是一位逃跑一年多的印尼籍外勞,喜歡流浪的他在僱主的農地附近搭了一座工寮,同時收留著一位從金屬加工廠跑出來,後來又在茶園差點被員警抓到的朋友R,R暫時都住在工寮不敢出門。今晚H接到了朋友T的電話,從水果工廠跑出來的她要帶著從汽車零件廠跑出來的B一起過來。也是這一晚,從僱主家跑出來的幫傭E,還有從螺絲工廠跑出來的D陸續到訪,原來H的工寮已經傳開了⋯。