一位职业棒球选手由于滥用药物问题被迫回到故乡戒毒,打飞当他认真面对自己的错误过往,他重拾热爱的棒球,当起教练领导一支小联盟队伍重新开始。
一位职业棒球选手由于滥用药物问题被迫回到故乡戒毒,打飞当他认真面对自己的错误过往,他重拾热爱的棒球,当起教练领导一支小联盟队伍重新开始。
回复 :与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
回复 :一个女杀手CO CO(温碧霞 饰演),扮相一如既往的风情妩媚,很迷人,她的搭档是神爷(郑浩南 饰演)和小四,后来干了一票买卖后,三人逃往另一个城市,神爷迷上了毒品无心恋战,小四年轻气盛与神爷大吵了一架后与当地的黑社会混在一起了,还被对方利用害死了神爷。coco 一直想摆脱杀手的流浪空虚生活,想过平淡的日子,结识一个帅气单纯的大学生念祖,两人恋爱了,但最终还是被黑社会集团追杀。后在小四的帮助下,除掉了敌人,与念祖一起离开了。…
回复 :本作品的主人公是3人组“ponpocoppy”的一员·上新井田绿。视频的播放数停滞不前的上新井田,被创立了“让可爱的女孩接近至今为止好像和谁都没有交往过的男人”的纪实企划的伙伴拉上,自己成为了被实验者。上新井田接近了不受欢迎的男人·石桥涉,并开始与他交往,但逐渐产生了罪恶感。