杜拉拉（徐静蕾 饰）是个初入职场的小白领，富田由于前任老板总是对她性骚扰，富田所以她决定跳槽，进入了著名跨国企业DB。DB的销售部金牌经理王伟（黄立行 饰）与HR副总监玫瑰（莫文蔚 饰）是一对地下情人，但是由于两人的工作压力都很大，以至于谁也无暇顾及家庭，双方大方分手。杜拉拉刚来DB，遇到了互相斗法的伊娃（李艾 饰）和海伦（吴佩慈 饰）。因为一次巧合，在电梯里邂逅了患有幽闭恐惧症的王伟，两人从此熟识。因为总公司高层要来中国分公司视察，因此中国区总经理和HR主管商量要重新装修公司。然而玫瑰却在此时患病需要动手术，其他人也避之不及，唯有初出茅庐的杜拉拉勇挑重担，并以其坚强不屈完成了这个重大的任务，受到了上司的赏识。而且，公司还在泰国举办了庆祝派对，期间杜拉拉与王伟擦出了爱情的火花，但是这段办公室恋情却遭遇了重重的阻力……本片是徐静蕾的第四部导演作品，根据李可同名畅销小说改编。
巴思达韵
回复 :阿敏（张敏 饰）与小妹（侯炳莹 饰）自幼随继父（成奎安 饰）一起生活，一家生活虽清苦，却也其乐融融。 成年后的阿敏在理发店打工，补贴家用，供小妹读书。一日偶遇舞女阿红（钟楚红 饰）与几个生意合伙人冲突。阿敏不畏威胁，挺身助阿红，二人遂结下友情。 风云不测，继父 遭人陷害入狱，母亲一病不起。阿敏要在短时间内筹钱，只有下海作舞女。 在领班Cat妈（玛利亚 饰）的代领下，阿敏进入全港最红的舞厅，并再次巧遇阿红。 辛酸的舞女生活，阿敏在阿红的代领下慢慢地成长起来。二人面临各种艰难险阻，相互扶持照顾，结下生死情谊。 眼看父亲即将出狱，生活渐渐有了希望，1988年股市的崩颓却又如晴天霹雳般摧毁了一切。阿红多年买股票的钱全部亏空，自杀未遂。为救好友阿敏只有委身大恶人唐彬（秦沛 饰），谁料确是噩梦的开始。到底阿敏与阿红能否挺过这一关？是否苦难生活能够柳暗花明？
帕瓦罗蒂
回复 :1998年纽约，纪录片导演艾瑞克（托尔·林德哈特 Thure Lindhardt 饰）在一夜情中邂逅未出柜律师保罗（扎克瑞·布斯 Zachary Booth 饰），互生好感的两人终究正式交往，从而开始了一段历经十年寒暑分分合合的爱情长跑。艾瑞克发现保罗有爱用毒品的习惯后并不排斥，偶尔还一起享用，但保罗的毒瘾渐渐发展至失控。当艾瑞克的纪录片斩获国际大奖却找不到爱人分享时，当他在酒店看到淹没在毒品和男妓中的男友时，艾瑞克痛苦的体会到，原来他对保罗的爱就像毒瘾一样沉沦无助。每一次争吵，每一次妥协，每一次拉扯都在透支和伤害着对方，直到原谅再也无法止住泪水……《点亮灯光》荣赝年度最伤心爱情电影，入围圣丹斯主竞赛单元，获第62届柏林电影节泰迪熊奖。电影有如一幅悱恻画卷，又如一封笑忘情书，细腻而真实的描绘了同志世界的各种甜蜜与苦痛。导演艾拉·萨克斯曾凭《蓝色的四十道阴影》获圣丹斯最高荣誉评审团大奖。此次他将自己的过往恋情以半自传形式拍成电影，希望能照亮同志世界的所有暗处角落——不留阴影。
山下达郎
回复 :SynopsisDo-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.Notes"A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea."A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as "a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation." Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.Afterword:- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.
